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From experimental memoir to compelling fiction. This debut collection from poet Yanyi is a delicate, potent meditation on loneliness and connection. Immigration, queerness, transness, solitude, and community are explored as a way of understanding oneself in the world. The Year of Blue Water is a beautiful, honest constellation of prose poems that will resonate with readers of all identities.

Samantha Allen is an award-winning journalist with some pretty impressive bylines. She makes a compelling case for the idea that America is incredibly queer. What results is a beautiful tapestry of, well, the real queer America.

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Click through to create a wonderful Weird Gay Aunt party in your tabs. Themes of bodily autonomy or lack thereofchaos and order, fear and resilience, and outsiderness around gender and race are deftly conveyed in punchy yet operatic lines. The poems in Crossfire span decades of Chin's life and yanyi gay as a Jamaican girl who yanyi gay abandoned by her parents, a lesbian, an immigrant, an outspoken social justice activist, and a single mother by choice her daughter was conceived via IVF at a time when Chin wasn't partnered.

To say Chin is dynamic both on the page and stage is an understatement. Many of the poems in this collection express rage at the patriarchy and everything it has created, and they don't hold back, which makes them incredibly liberating to read. Some are more introspective, particularly toward the end of the book, where they become more focused on interpersonal relationships including with the self and parenthood.

Many of the pieces explore fandom and community around sport, sometimes describing it as religion; some use sport purely as an analogy or metaphor; some have sport as a catalyst for a story and some as the entire narrative. Whether addressing a wounded sense of identity that comes with injury or illness, exploring the ways in which sport can create family, or reckoning with the violence and oppression that is built into athletics, Bodies Built for Game poses the question: What is sport, and is it really so benign?

This debut novel from Feltman starts out with a couple of young women in a writing MFA program falling in love meta! Instead, the short, intense relationship at the beginning peters out and the women are forced to pick up the pieces as they live thousands of miles apart. From New York City to Tbilisi to Berlin, with an ensemble of complex supporting characters, this book also includes meditations on faith, fear, sexual assault, modern queer identity, and how fraught it can be.

Fleischmann is an author, editor, essayist and critic, and this book-length essay is perfect for intellectual creative types who love to analyze art. They use his art as a jumping-off point to examine identity, grief, love, and violence. This little book is dense and will be perfect for fans of Cyrus Grace Dunhamor anyone who loves art, queer storytelling, and surprisingly moving essays.

In this honest, visually stunning, and ultimately life-affirming graphic novel, writer and illustrator Kobabe has truly given the world — but especially gender-nonconforming, gender-questioning, and asexual folks — a gift. In not only writing, but gorgeously illustrating their journey of learning about gender and sexuality, Kobabe is contributing to a much-needed canon of stories that have long been actively erased.

Its warmth and whimsy are a welcome reprieve from the all-too-clinical mainstream conversation about gender and sexuality. Liebegott, a poet, has long been a pillar of the lesbian poetry scene, all the way back to the Sister Spit days, in addition to being a visual artist and TV writer.

Her yanyi gay collection is a potent meditation on grief. Whether losing a person, pet, or relationship, the graceful and the ugly dovetail in these poems. Birds are delicate, majestic, elegant, and reckless — easily broken by this world and yet soar high above it.

They serve as effective symbols and metaphor for losses small and large. Luczak is a prolific writer, editor, and playwright. He is also deaf and gay.